Nazek

Mohamed Fawzy was impressed by her voice and featured her in his famous film (Kol Daqat Fi Qalbi) and made Nazik's song the title of the film.

Because she was extremely shy, she stayed away from cinema, focusing on radio and concerts. She then left for Lebanon in the late 1950s. She returned to Cairo in 1960 and recorded "Al-Dawwama" by Abdel Azim Mohamed, "Ana wa Al-Nojoom" by Ahmed Sedky, and "Taht Al-Tut" by Mohamed Mohsen, which became very popular and achieved widespread acclaim. She then returned and settled in Beirut in 1963. In Lebanon, Nazik suffered greatly in Beirut, as Lebanese radio and television stations and studios were closed in her face. While she was fighting in Beirut to be listened to and watched by people, her famous and very successful songs were being broadcast on Cairo and other radio stations, which led to a nervous breakdown that led to her being hospitalized. After leaving the hospital, she dedicated her voice to performing religious supplications and hymns, and retired from singing in theaters and public forums, devoting herself only to supplications and praises of the Prophet. She distanced herself from the outside world and became known as Nazik, the prisoner of art. Her religiosity intensified, and she began wearing the veil. She passed away on August 6, 1999, and her songs are still being broadcast on the radio, and her albums are being well distributed.