Bernard-Marie Koltès

A close friend and collaborator with the avant-garde director Patrice Chéreau, the two created groundbreaking work together at both the La MaMa Experimental Theatre Club in New York City and the Théâtre des Amandiers in Nanterre.

At the time of his death, Koltès was considered to be one of the most important young voices in French theatre, and heir apparent to the legacy left by post-war playwrights such as Samuel Beckett, Jean Cocteau and Jean Genet. His plays have since become staples on the modern repertory around the world, having been translated into more than 36 languages.

Born in 1948 to a middle-class family in Metz, his life was violent and anchored in revolt. He tried his hand at writing at a very young age but later renounced it, and didn't take to the stage until the age of twenty after seeing the film actress María Casares starring in a production of Medea (Médée) directed by Jorge Lavelli. Soon after, in 1969, he was inspired and wrote his first play, Les Amertumes (Bitternesses), a dramatization of Maksim Gorky's 1914 memoir, My Childhood. The play premiered in 1970 at the St. Nicholas Church in Strasbourg. By chance Hubert Gignoux, the director of the National Theater of Strasbourg, attended the show on opening night and was instantly enamored of Koltès's work. Convinced that the twenty-one-year old fledgling playwright was a genius, Gignoux invited him to attend the theatre school at TNS in 1971.

Within the year, Koltès directed and acted in productions at the Théâtre du Quai in Strasbourg,a company he founded. He directed some of his own work there, including La Marche (The Walk), an adaptation of the biblical Song of Solomon, and Procès ivre (Drunken Trial), based on Fyodor Dostoevsky's Crime and Punishment. Some of Koltès's early works such as L'Héritage (The Inheritance) and the unpublished Des Voix sourdes (Deaf Voices) were even broadcast on national French radio in 1972 and 1973. His first widely celebrated piece, the long monologue, The Night Just Before The Forests, was staged in 1977 at the Avignon Festival, and subsequent productions were put on in collaboration with director Patrice Chéreau.

Koltès's work, based in real-life problems, expresses the tragedy of being alone and of death. His writing style accents the dramatic tension and the lyricism of his plays. Koltes also translated into French Shakespeare's The Winter's Tale. ...

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