Christophe Cotteret

Originally a stage director until 2010, Cotteret lived in Beirut from 2002 to 2006. In the aftermath of the 2006 war between Hezbollah and Israel, he initiated Projet Liban, an ambitious cycle of four documentary-theater productions presented across Belgium, France, Lebanon, Algeria, Tunisia, and Jordan. This early work established his commitment to hybrid forms and to documenting political upheaval as it unfolds.

Between 2010 and 2012, he directed his first feature-length documentary, Démocratie année zéro, co-signed with Amira Chebli. The film traces the origins of the Tunisian Revolution, returning to the coal basin of Gafsa where the first sparks of revolt emerged. Premiering in 2013 at Visions du Réel in Nyon, the documentary went on to screen in more than twenty-five international festivals across Europe and the United States, later receiving theatrical releases in Belgium and France. Hailed by Positif as one of the most lucid and complex portrayals of the Arab Spring, the film solidified Cotteret’s reputation as a meticulous chronicler of political transition.

In 2013, he pursued his investigation of post-revolutionary Tunisia with Ennahdha : Une histoire tunisienne, a documentary examining the Tunisian Islamist movement Ennahdha, winner of the 2011 elections. Following its leaders for over a year, Cotteret captured the internal debates and historical contradictions shaping the country’s fragile political landscape. The film first aired on RTBF, then on Arte and TV5 Monde. Critics, including Jean-Pierre Sereni, praised its ability to convey the full complexity of the moment. Cotteret later co-authored a widely discussed column in Libération, arguing against framing Tunisian politics as a simple opposition between secularists and Islamists.

In 2015, he began work in Rwanda on Inkotanyi, a sweeping documentary about Paul Kagame and the politico-military movement FPR (Front Patriotique Rwandais). Premiering in competition at the 30th FIPA in 2017 and later shown at festivals including DOK Leipzig and the Pan African Film Festival in Los Angeles, the film was released in Belgian theaters in June 2017 before airing on RTBF and Arte. Critics such as Télérama and Le Monde commended its breadth, its unprecedented archival materials, and its measured approach to one of the most sensitive and debated chapters in recent African history.

In 2024, Cotteret returned to European politics with White Power, au cœur de l’extrême droite, broadcast on RTBF amid the French legislative elections, during a moment when the Rassemblement National emerged as a leading political force. Concurrently, he published an opinion piece in Libération, warning against the racialist worldview underpinning many far-right movements across Europe.