Jacques Duron

In 1980, he graduated with a diploma from the Institute des Hautes Études Cinématographiques (Institute for Advanced Film Studies) in the production and editing department.

From 1981- 1989, he was assistant editor to Agnès Guillemot on the films of Alfredo Arias, Jean-Claude Brisseau, Francesca Comencini, Richard Dembo, Peter del Monte, Michel Soutter and Jean-Charles Tacchella, at the same time he collaborated in the casting of feature films.

After several short films with limited screenings, he directed a medium length film: Une histoire sans importance (A history without importance) which received amongst others, the Prix Spécial du Jury at the Belfort Film Festival; selected into various festivals including the Mostra de Venise, the London Film Festival and the Festival d’Automne/Semaine des Cahiers du Cinéma in Paris. The film was bought by the Fédération Jean Vigo, released on video by Platypus and on DVD by Antiprod, and in cinema in Paris at Le Marais (distributor Le Marais).

With the support of the Centre National de la Cinématographie, he directed another medium length film : le Voyage à Deauville (The Voyage to Deauville, prod. : Filmodie) which received, amongst others, the Prix des courts métrages at the Rencontres Cinématographiques Internationales de Prades and a Prix de qualité from CNC; selected into various festivals including the Festival Internacional de Cinéma de Figueira da Foz and the Semana Internacional de Cine de Valladolid. The film was bought by Vidéothèque of Paris, released on video by Platypus, bought by PinkTV and France 3 and screened in Paris at the Entrepôt cinema (distributed by Gérick/Parifilms).

From 1991 to 1993, he was a resident in the artistic section of the Casa de Velázquez in Madrid and directed another medium length film: el Modelo (prod. : Intégral).

In 1994, in collaboration with Fabienne Morel, he shot a documentary series in Marid in video: el Cuadro, ¿Quién sabe dónde? and la Casa de Velázquez, a por a y be por be.

In 1995, he undertook the directing of Souvenirs de Madrid (Memories of Madrid), a documentary video for which he received a Louis Lumière/Villa Médicis grant, the filming continued until the end of 1997.

On his return to Paris in 1998, he obtained the film rights for the adaptation of the novel Dance on My Grave by Aidan Chambers (published by The Bodley Head, London). He has written the adaptation but was unable to secure funding.

From November 2005 until august 2008, he has been in residence at the Abbaye de la Prée at the invitation of the association Pour Que l’Esprit Vive where he was able to write another feature film script la Peur du gendarme (Fear of the Policemen) for which he is seeking funding. Meanwhile with the support of Fabienne Morel- he finished editing Souvenirs de Madrid.