Caroline Laurie

She began her career in the late 1980s, during a period of prolific adult film production in France, when feature-length films were widely produced for specialized cinemas and the growing home video market. Among her best-known performances is Jeux de baise à la fête foraine (Orgy at the Funfair, 1988), directed by Michel Ricaud, in which she was credited as Christine Feld. Produced by Tropicale Production Films and distributed by Défi Studios, the film was shot in Paris, with many of its outdoor scenes filmed at the historic Foire du Trône. She also appeared in Les Charmes secrets de Miss Todd, La Femme en noir, Du boudoir au trottoir, Marie ou la perversion anale, Fucky Dancing, and Vortix.

Her career quickly gained an international dimension through her participation in several European co-productions, particularly Italian films. These include La bottega del piacere (The Pleasure Shop), in which she was credited as Vanessa Rubinstein, and Moana la scandalosa, where she appeared under the name Emmanuelle Kane. She also portrayed Colette in both installments of The Phantom of the Cabaret, before appearing in Sex ristorante and the Diaries of Fire & Ice series.

Caroline Laurie shared the screen with many of the leading French and European adult performers of the late 1980s. These included Roberto Malone, with whom she appeared in Orgy at the Funfair, Sex ristorante, and several Franco-Italian co-productions; Christophe Clark, another major figure of French adult cinema; Rocco Siffredi, during the early years of his career; Richard Langin; Jean-Yves Le Castel; and Phil Raiter, then at the beginning of his career, who frequently alternated between technical crew duties and small acting roles on film sets.

Although her career was relatively brief, Caroline Laurie is regarded as one of the actresses who contributed to the French adult film scene of the late 1980s. Her filmography reflects a period of intense collaboration between French and Italian studios, during which performers regularly worked across national productions. While little biographical information has survived, her appearances in several films now sought after by collectors and historians have secured her place in the history of European adult cinema.